What I hear from some women who are
important to me is that my art
contributes to the oppression of women
because of the beauty I find in young, healthy, nubile women. This springs from the same
common appreciation that is used to exploit women for commercial purposes
(which is exactly why it works!) and therefore my art comes across as
being exploitive in a similar way. I'm sorry if that is the case, but please help me understand why. What is my responsibility as an artist?
"Water Wall", pencil, by Tim Holmes |
It's as if there's no difference between soft porn (where the body is raked clean of personal value to foster easy objectification) and what I do, which is emphasize the whole woman.
In my mind I am expressing the delight I feel in beauty and there's
nothing oppressive about that. I treat the male figure the same way (emphasizing young healthy, well-developed bodies), but there's
apparently no oppression felt in that case, probably because there's little
oppression of men in our patriarchal society. I recognize all of that but it leaves
me unable to understand my responsibilities in light of it. I feel a
little bit like––in a world that is overfished––it's bad for me to find
beauty in fish because that only encourages people to eat more fish. But
I feel that speaks of a lack of imagination on the other's part rather
than a failure of responsibility on my own.
Yes
I understand that we need to expand our vision of beauty to include, for
instance, older saggy women because they too are beautiful. But I would
say that their beauty is not aesthetic, as
in young women. I insist that the reason we find young flesh so captivating is because it is true across nature that young, healthy animals are the pinnacle of beauty for that species. If you disagree with me I would like to
challenge you to show us images that support your argument. There is a way
in which older people look like overripe fruit; a little bit wrinkly and
saggy. I would humbly suggest that's because mature beauty migrates inside. It's nature that designed it that way, not me. I'm just a witness to what nature has provided.
There's no difference in worth between those two instances but we
talk about beauty all of a sudden there is a value judgment, for the same reason that ripe food is beautiful and the overripe fruit less so. That
does not negate the value of the overwrite fruit. Speaking for myself I'm simply registering beauty as physical in this one narrow regard. (The visual sight of ripe
fruit is more esthetically "beautiful" than the overripe. Without that sense we'd soon get sick on bad fruit. Do you not
agree?)
Do I have a responsibility to negate my appreciation of beautiful young flesh? Does diminishing the one help enhance the other? Perhaps the argument goes that if we had 100 years of looking at old wrinkly flesh that would become the standard of beauty. But I humbly suggest that if that's the case it would go against nature. Nature has designed young healthy animals to survive and I think that's why we find them beautiful, because their fitness is visible. Is it preferable to move culture away from nature? If beauty is democratizing, does it have any purpose? Does nature have an answer? Or is the solution we seek one that answers oppression rather than aesthetics? Please add your thoughts here. I think it is very important and especially for artists who care about human dignity!
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